TuttiDAW Code

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120 BPM
Examples
  • Synth-pop
    • Synth-pop at 116 BPM: four parts on one Ensemble Set
    • Minimal synth-pop, 1979-style (124 BPM)
    • Hi-NRG at 132 BPM
    • The FM ballad (92 BPM)
    • Sequenced synth-pop (120 BPM)
    • Dark synth-pop (108 BPM)
    • The 2010s revival (118 BPM)
    • Enola Gay: the instrumental theme (140 BPM)
    • Don’t You Want Me: the chorus (118 BPM)
    • Just Can’t Get Enough: the intro riff (128 BPM)
    • Sweet Dreams: the first verse (126 BPM)
    • Take On Me: the synth riff (169 BPM)
  • House
    • House at 124 BPM: four parts on one Ensemble Set
    • Deep shuffle at 120 BPM
    • Chicago jack at 122 BPM: chord memory
    • Acid house at 124 BPM: the 303-style line
    • Deep house keys at 120 BPM
    • Piano house at 122 BPM
    • Tech house at 126 BPM: the rolling bass
    • Afro house at 122 BPM
    • Lo-fi house (122 BPM)
    • Study: the organ push and the “la da dee” hook
    • Study: the filter house loop
    • Study: one loop, a moving bass
    • Study: C major with borrowed chords
  • Techno
    • Techno at 130 BPM: four parts on one Ensemble Set
    • Detroit techno at 126 BPM
    • Minimal techno at 128 BPM
    • Dub techno at 118 BPM
    • Hard techno at 150 BPM
    • Melodic techno at 123 BPM
    • Hypnotic galloping techno at 132 BPM
    • Das Boot: the theme over a 16th bass (122 BPM)
    • Born Slippy .NUXX: the kick arrives (140 BPM)
    • Kernkraft 400: the riff (138 BPM)
  • Trance
    • Trance at 138 BPM: four parts on one Ensemble Set
    • Acid trance at 135 BPM
    • Progressive trance at 130 BPM
    • Uplifting trance in A major at 138 BPM
    • Psytrance at 145 BPM
    • Tech trance at 140 BPM
    • The breakdown and build at 138 BPM
    • Children: the piano theme (137 BPM)
    • Sandstorm: the first riff section (136 BPM)
    • Better Off Alone: the riff over the build (137 BPM)
    • Ecuador: the saw riff (128 BPM)
  • Drum & Bass
    • Drum & Bass at 174 BPM: four parts on one Ensemble Set
    • Ragga jungle at 165 BPM: the chopped break
    • Atmospheric drum & bass at 166 BPM
    • Liquid lift in C minor at 174 BPM
    • Neurofunk at 174 BPM: the growling reese
    • Jump-up at 175 BPM: the bouncing riff
    • Halftime at 170 BPM
    • Study: the upright-bass call
    • Study: the verse over G and F
    • Study: the chorus on Gm–E♭–F–C
    • Study: the hook in thirds and fourths
  • Dubstep
    • Dubstep at 140 BPM: four parts on one Ensemble Set
    • Deep dub at 140 BPM
    • Wobble rates: 1/4 against 1/8T
    • Brostep drop
    • Riddim at 150 BPM
    • Melodic dubstep at 150 BPM
    • 2-step dubstep
    • Scary Monsters and Nice Sprites (intro hook)
    • First of the Year (hook)
    • Summit (first drop)
    • Bangarang (verse hook)
  • R&B / Neo-soul
    • Neo-soul at 84 BPM: four parts on one Ensemble Set, plus an electric piano
    • Dorian vamp: Cm9 to F13 with a heavy swing (92 BPM)
    • Boom-bap neo-soul: a hip hop beat under jazz chords (88 BPM)
    • Planed ninths: one maj9 shape slid down and up (78 BPM)
    • 12/8 soul ballad: ii - V - I in D♭ (66 BPM)
    • Trap soul: neo-soul chords over an 808 (70 BPM)
    • UK jazz-soul: a late snare under swung hats (94 BPM)
    • Study: Doo Wop (That Thing), the sung hook (100 BPM)
    • Study: Lady, the chorus and its guitar hook (85 BPM)
    • Study: Spanish Joint, the chorus (112 BPM)
  • Funk
    • Funk at 100 BPM: four parts on one Ensemble Set
    • New Orleans funk: guitar and bass in octaves (92 BPM)
    • P-Funk: a sliding synth bass and clavinet stabs (98 BPM)
    • Slap bass: thumb and pop on Em7 (112 BPM)
    • Jazz-funk: Fm9 - B♭13 - D♭maj7 - C7(♯9) (96 BPM)
    • Boogie: 1980s synth funk with a talk-box lead (114 BPM)
    • Horn-band funk: linear drums and a three-part shout (108 BPM)
    • Study: Superstition, the second verse (100 BPM)
    • Study: Pick Up the Pieces, the horn theme (107 BPM)
    • Study: Jungle Boogie, the first verse (105 BPM)
    • Study: Brick House, the last chorus (108 BPM)
  • Disco
    • Disco at 120 BPM: four parts on one Ensemble Set
    • Philadelphia disco at 114 BPM
    • Latin disco at 124 BPM: cowbell, congas and a tumbao
    • Munich synth disco at 126 BPM: the sequencer bass
    • Disco-boogie at 116 BPM, about 1980
    • Hi-NRG at 132 BPM: the galloping bass
    • Italo disco at 118 BPM
    • Nu-disco at 122 BPM: the side-chain pump
    • Study: falling 16ths over one F minor chord
    • Study: the chorus without four on the floor
    • Study: the climbing bass line
    • Study: four chords, a repeated sung note
  • Reggae
    • Reggae at 76 BPM: four parts on one Ensemble Set
    • Early reggae at 90 BPM: an organ shuffle on the one drop
    • Lovers rock at 78 BPM: sweet harmonies on the one drop
    • Rockers at 80 BPM: the kick returns to beat 1
    • Steppers at 74 BPM: a kick on every beat
    • Dub at 70 BPM: parts drop out, the echo takes over
    • Digital dancehall at 100 BPM: a keyboard riddim
    • Study: One Love/People Get Ready, the chorus (76 BPM)
    • Study: Jammin’, the verse (122 BPM)
    • Study: No Woman, No Cry (Live!), the chorus (78 BPM)
    • Study: Red Red Wine, the first verse (89 BPM)
  • Bossa nova
    • Bossa nova at 132 BPM: four parts on one Ensemble Set
    • Voice and guitar at 112 BPM: the guitar is the band
    • Jazz samba at 144 BPM: a tenor sax over the guitar
    • Minor bossa at 120 BPM: round the circle of fifths
    • Orchestral bossa at 98 BPM: strings and a piano melody
    • Pop bossa at 116 BPM: backbeat, piano and a vocal hook
    • Lounge bossa at 124 BPM: drum machine, synth bass and echoes
    • Study: Getz's sax over the first A section
    • Study: the opening of the verse
    • Study: one figure over a falling bass
  • UK garage
    • UK garage at 132 BPM: four parts on one Ensemble Set
    • Speed garage at 135 BPM
    • UK 4x4 garage (133 BPM)
    • Soulful vocal 2-step (130 BPM)
    • Dark 2-step (134 BPM)
    • Bassline (138 BPM)
    • Future garage (134 BPM)
    • Fill Me In: the chorus (130 BPM)
    • Archangel: the hook (134 BPM)
    • Latch: the chorus (122 BPM)
    • Pain: the first verse (126 BPM)
  • Ambient
    • Ambient at 60 BPM: four parts on one Ensemble Set
    • Kankyo ongaku: a marimba in F major (72 BPM)
    • Ambient house: a choir over an A pedal (100 BPM)
    • Dark drone in C Phrygian (50 BPM)
    • Soft-pedal piano in E♭ major (56 BPM)
    • Ambient techno in E Dorian (110 BPM)
    • Parallel 4ths over an E drone (70 BPM)
    • Study: Xtal, the pad stabs and the line on top (114 BPM)
    • Study: 14:31, the opening figure (115 BPM)
    • Study: Olson, a flute over E Lydian (110 BPM)
    • Study: Sweden, the first melody (44 BPM)
  • Boom bap
    • Boom bap at 90 BPM: four parts on one Ensemble Set
    • Jazz rap: ii - V - I with a flute (94 BPM)
    • Grimy New York boom bap in E Phrygian (86 BPM)
    • Wonky: a hand-placed, unquantised groove (88 BPM)
    • Soul chop: a falling line in G minor (92 BPM)
    • Dusty and sparse in E minor (80 BPM)
    • Organ loop in A Dorian (96 BPM)
    • Study: C.R.E.A.M., the piano loop (90 BPM)
    • Study: N.Y. State of Mind, the first verse (84 BPM)
    • Study: Shook Ones, Part II, the piano loop (96 BPM)
    • Study: Accordion, the loop (95 BPM)
  • Trap
    • Trap at 140 BPM: four parts on one Ensemble Set
    • Mid-2000s Atlanta: piano trap at 144 BPM
    • Orchestral trap (2010–12) at 150 BPM
    • Flute trap at 150 BPM
    • Melodic (emo) trap at 140 BPM
    • Drill at 142 BPM
    • Rage at 160 BPM
    • Black Beatles – Rae Sremmurd ft. Gucci Mane: the chorus (146 BPM)
    • XO TOUR Llif3 – Lil Uzi Vert: the chorus (155 BPM)
    • SAD! – XXXTENTACION: the chorus (150 BPM)
    • Lucid Dreams – Juice WRLD: the chorus (84 BPM)
  • Lo-fi hip hop
    • Lo-fi hip hop at 76 BPM: four parts on one Ensemble Set, plus an electric piano
    • Chillhop: cleaner and jazzier (90 BPM)
    • The “drunk” beat (84 BPM)
    • Sad piano in the rain (70 BPM)
    • Sleep lo-fi: no drums (62 BPM)
    • The city-pop flip (84 BPM)
    • Aruarian Dance: the verse (95 BPM)
    • Feather: the piano loop (90 BPM)
    • Lady Brown: the intro guitar (99 BPM)
    • bossa uh: bossa in half time (129 BPM)
  • Jazz swing
    • Medium swing in F at 140 BPM: four parts on one Ensemble Set
    • Bebop ii–V chain at 208 BPM
    • Ballad in E♭ at 64 BPM
    • Cool jazz without a piano, at 150 BPM
    • Soul-jazz organ trio in C minor
    • Kansas City swing with hi-hat time, 176 BPM
    • Hard bop in F minor with a snare roll
    • Study: the head of “So What” (D Dorian)
    • Study: the head of “Autumn Leaves” (G minor)
    • Study: the head of “Anthropology” (rhythm changes in B♭)
    • Study: the head of “Take the ‘A’ Train” (C major)
  • Gospel
    • Sunday pocket: praise in A♭ at 104 BPM
    • Old 12/8 church ballad
    • Shout! The praise break at 145 BPM
    • 1970s mass choir: call and response
    • Urban gospel, 1990s
    • The walk-down: 7-3-6 and 2-5-1
    • Worship gospel, 2010s
    • Study: “May the Lord, God Bless You Real Good” (verse)
    • Study: “Looking for You” (chorus)
    • Study: “I Smile” (chorus)
    • Study: “Love Theory” (chorus)
  • Afrobeats
    • Sunny Lagos loop: afrobeats at 106 BPM
    • 2011 Naija club
    • Azonto bounce (Ghana)
    • Afro-fusion slow jam
    • Afropiano: the log drum
    • Afroswing (UK)
    • Highlife-flavoured afrobeats
    • Study: “One Dance” (chorus)
    • Study: “Essence” (chorus)
    • Study: “Calm Down” (chorus)
    • Study: “Water” (chorus)
  • Blues
    • Chicago shuffle in A at 112 BPM: the whole 12-bar form
    • Texas shuffle on an 8-bar blues in E
    • Slow blues in G, felt in 12/8, at 58 BPM
    • Boogie-woogie piano in A♭ at 152 BPM
    • Hill-country boogie on one chord
    • Jump-blues chorus in B♭ at 160 BPM
    • Study: the stop-time of “Hoochie Coochie Man” (A)
    • Study: the harp solo of “My Babe” (F)
    • Study: the first lines of “Stormy Monday” (G)
    • Study: the minor blues of “The Thrill Is Gone” (B minor)
    • Study: the Texas shuffle of “Pride and Joy” (E♭)
  • Classic rock
    • Room-sized rocker in A at 120 BPM: four parts on one Ensemble Set
    • 1965 beat group in E at 138 BPM
    • 1968 blues-rock shuffle in E
    • 1971 heavy riff in E minor at 88 BPM
    • 1978 heartland highway in E at 126 BPM
    • Power ballad in C, felt in 12/8, at 66 BPM
    • 1967 psychedelic jam in D Mixolydian
    • Study: the chain of fifths in “Hey Joe” (E)
    • Study: the loop of “All Along the Watchtower” (C minor)
    • Study: the chorus of “Gimme Shelter” (C♯)
    • Study: the verse of “Rock and Roll” (A)
    • Study: the verse of “Sweet Home Alabama” (D Mixolydian)
  • Synthwave
    • Neon arp in E minor at 110 BPM: four Ensemble parts and a gated snare
    • Outrun: the night drive, F♯ minor at 118 BPM
    • Dreamwave in E♭ major at 84 BPM
    • Darksynth in C minor at 136 BPM
    • Soundtrack synthwave (Carpenter-style) in D minor at 96 BPM
    • Pop-wave with sax in G major at 112 BPM
    • Italo-tinged synthwave in B minor at 124 BPM
    • “Nightcall” – Kavinsky (2010): the first verse
    • “Stranger Things” main title – Kyle Dixon & Michael Stein (2016): theme A
    • “Resonance” – HOME (2014): section III
    • “Sunset” – The Midnight (2016): the first verse
    • “Running in the Night” – FM-84 feat. Ollie Wride (2016): the first verse
  • Reggaeton
    • Reggaeton in D minor at 95 BPM: four parts on one Ensemble Set
    • 1990s underground in E minor at 92 BPM
    • 2000s reggaeton in A minor at 98 BPM
    • Romantic reggaeton in G major at 90 BPM
    • Perreo in F♯ Phrygian at 100 BPM
    • Club reggaeton in F minor at 103 BPM
    • Trap-reggaeton in C♯ minor at 92 BPM
    • Study: the opening hook of “Dile” (A minor)
    • Study: the chorus of “Gasolina” (F Phrygian)
    • Study: the chorus of “Despacito” (B minor)
    • Study: the chorus of “Tusa” (D major)
    • Study: the chorus of “Dákiti” (E minor)
  • City pop
    • City pop in D major at 106 BPM: four parts on one Ensemble Set
    • 1970s city pop in C major at 96 BPM
    • Boogie city pop in A minor at 120 BPM
    • Midnight ballad in E♭ major at 80 BPM, lightly swung
    • Mid-1980s technopop city pop in G major at 112 BPM
    • Resort pop in F major at 100 BPM
    • Cutting-guitar city funk in A major at 102 BPM
    • Study: the chorus of “Mayonaka no Door (Stay with Me)” (D minor)
    • Study: the verse of “Ride on Time” (D major)
    • Study: the verse of “Sparkle” (E major)
    • Study: the verse of “Plastic Love” (D minor)
  • Guofeng (Chinese-style pop)
    • Guofeng pop in E Yu pentatonic (1=G) at 80 BPM: four parts on one Ensemble Set
    • Guzheng ballad in A Zhi pentatonic (1=D) at 68 BPM
    • Guofeng rock in A Yu pentatonic (1=C) at 128 BPM
    • Guofeng electronic in D Yu pentatonic (1=F) at 140 BPM, half-time
    • Opera-style pop (xiqiang) in D Shang pentatonic (1=C) at 84 BPM
    • Peking opera percussion: jijifeng (急急风) at 184 BPM
    • Peking opera percussion: an entrance – chongtou, sijitou and a roll (132 BPM)
    • Study: the theme of “Caiyun Zhuiyue” (1=D)